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Kevin's own brand of uncut humour PDF Print E-mail
Written by Catharina Robbertze - Thursday, 09 September 2010 15:39   
You can know for certain that no amount of soap could clean his mouth, but I suspect Kevin Bloody Wilson doesn’t give a %*@£.
This world-famous Australian comedian recently included Nelspruit in his South African tour for the first time, to share his unique humour with Lowvelders. There are many words to describe Wilson's show, but none of them can be printed in this paper so I'm afraid I have to resort to a vague description.
He has been called hilarious, funny, rude, vulgar and many other things but Wilson's recipe seems to be working because there aren't many international performers who can travel to small places like Nelspruit and pull a crowd big enough to fill the Emnotweni Arena.
The R-rated warning gave some sort of an indication of what was about to happen on stage, but I think many people were still caught unawares when the first $*£& came out of his mouth. Though some may find him genuinely funny, I think a lot of the laughs were the result of a  nervous reflex from shock and horror more than anything else. Although being politically incorrect was a relief for a while, after about an hour of listening to Wilson, his insistence on being politically incorrect seemed more like an excuse for showing disrespect, than anything else.
However, some of his jokes were funny and I must admit, I did laugh. Wilson's show was preceded by a short stint by his daughter Jenny Talia. The topics she sang about started just below the belt and descended rapidly with every new song. Although she gets close, her mouth is not quite as filthy as her dad's but one thing is sure, she knows men. She managed to sum them up so accurately that all the men in the audience became quieter as the performance went on.
However, when her father stepped on stage the men piped up again and enjoyed his brand of humour more because he, of course, took their side.
Though a few variations on the theme would have been welcome, most of the crowd were laughing most of the time. To those who didn't enjoy the show, I suspect Wilson would say, "Dilligaf".
 
JPO and Allegro Choir wow crowds PDF Print E-mail
Written by Nicolene Smalman - Thursday, 09 September 2010 15:33   
The Spring Concert 2010 with the Johannesburg Philharmonic Orchestra (JPO) and Allegro Choir, was a roaring success yet again.
Audiences were in awe of the beautiful music that filled the civic theatre on Saturday evening and Sunday afternoon. Sponsored by First National Bank, both performances were in front of almost full houses. Lowvelder attended Saturday night’s concert.
The orchestra was conducted by Sonja Bass who currently also plays for the JPO and trains its academy orchestra. Stunning solo performances were delivered by Thabang Senekal (baritone), Theresa Schoeman (soprano), Theresa Prinsloo (pianist), Dianne Wolhuter (soprano) and Walter Fourie (tenor).
The programme kicked off with
"The heavens are telling the glory of God" by the choir and soloists Wolhuter, Senekal and Fourie. "Motett: hear my prayer" by the choir and Schoeman, was next on the list. Senekal then did justice to "Lord God of Abraham, Isaac and Israel" before the choir sang "For unto us a child is born". The first part of the programme was concluded with "Regina Coeli" by the choir and Schoeman.
The programme continued after a
20-minute interval with "Overture: Ruslan and Ludmilla" by the orchestra, followed by "Questa O Quella" by Fourie. Senekal sang "Non Piu Andrai" before the choir portrayed Wagner’s "Wedding march" beautifully.
Prinsloo then proceeded to play "Piano Concerto No. 1 and 3rd movement" before Schoeman and Senekal sang a duet called "Parigio Caro".
Then came an interesting turn in the programme - the orchestra played a medley from the musical Grease. The audience tapped their feet to the joyful music before the performance came to a dramatic end with the "Grand March" from Aida.


 
 
Grootseun binnekort op die planke in Nelspruit PDF Print E-mail
Written by Lowvelder Editor - Thursday, 09 September 2010 15:31   
Stel jou voor 'n dominee van so in sy dertigs met 'n super ontwikkelde sin vir humor en die vermoë om 'n storie te vertel soos min. Boonop gaan die stories oor dinge wat regtig in sy gemeente gebeur.
As jy dié prentjie kan sien - dan sien jy vir Grootseun - 'n heerlike nuwe lekkerkry-produksie met Pierre Breytenbach.
Grootseun is vir die verhoog verwerk deur Marion Holm uit rubrieke deur Barend Vos wat in die gesinstydskrif, LIG, verskyn. Marion het ook die regie van die stuk behartig en is baie opgewonde oor die vertoning. "Dit is skerp, skoon humor - geskik vir die hele gesin - en gespeel deur een van ons land se veelsydigste akteurs met 'n besondere aanvoeling vir komedie."
Die publiek het Pierre op televisie in Die Casper Rasper Show leer ken asook in Spekskieters en meer onlangs in die Wimpy-advertensie toe hy sy dogtertjie Hendrik wou noem. Op die verhoog was Pierre onlangs in PG du Plessis se klug Sophia Mentz beredder haar boedel te sien en tans is hy deel van die produksie Parkamampoer, geskryf deur Harry Kalmer.
Grootseun word vervaardig deur die produksiehuis Handyminds, wat bestaan uit Marietjie Rossouw en Marion Holm.
Die produksie sal op 18 September om 18:30 vir 19:00 sy debuut in die Nelspruit Hervormde Kerk maak. Kaartjies kos R40 per persoon.
Besprekings kan by Marietjie gedoen word by 083-246-1100 of 021-975-6805 tydens kantoor-ure. Navrae kan ook gerig word aan This e-mail address is being protected from spambots. You need JavaScript enabled to view it
 
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